![]() ![]() ![]() It’s a message we can all agree with, (except perhaps for Kale Vandelay), but the unadventurous, (if polished), gameplay doesn’t quite deliver what Tango Softworks is aiming for. The soundtrack does fall flat sometimes, with the story’s strong anti-capitalist message perhaps better fitting to punk music or just presented with a grittier overall style. Kale Vandelay, the big boss man, seems to have a particularly interesting goal of using those robotic limbs and manufactured implants to control their user’s minds. Traversing through Vandelay Technologies, each area tells an unfolding story of how it began by manufacturing robotic limbs and evolved into selling robots. All the while, the animated environment is bopping away to the beat, with lampposts, machinery, and trees all bouncing in time which simultaneously helps the player to ensure their button-mashing hits the beat too.Ĭhai himself contributes to the comic book stereotype, snapping his fingers and quipping about the music from time to time. The game drip feeds information to the player, with the road to each boss battle teaching new skills and combat styles – such as a useful parry that allows for an immediate super strong retaliation as well as minigames that work in a “Simon Says” format. Thanks to Shuichi Kobori experimenting with the instrument rather than pro-level play, the level themes were deliberately composed as songs that someone learning guitar can try out.Hi-Fi Rush gets off to a high-octane start, with a lot of activity both in the story and in the linear stages that follow.Other cutscene tracks also connect to level themes, such as Zanzo-centric cutscenes using Test Chamber and Korsica-centric themes using Security Breakout 's synths.Boss is used in tracks representing Vandelay's bosses, especially Kale, as well as the game's Game Over theme.Making Things Is Hard is a subtler leitmotif used in How Far We've Come and What the Future Holds, representing the team's growth.The RUSH is used in cutscenes centered around Chai, Peppermint and the Hideout.The game uses three central leitmotifs, those being The RUSH, Making Things Is Hard, and Boss (Vandelay Theme).Notable exceptions are the Elsinore Covers, though it includes the original The Flaming Lips version of Free Radicals. Contains most of the soundtrack including the Streamer Mode On and Streamer Mode Off songs. Honestly by Zwan and the covers of Free Radicals & Fast As You Can by Elsinore are not included due to not currently being uploaded to Spotify. Contains seven of the eight/ten licensed songs. The Official Soundtrack playlist by Bethesda. Playlist Links Official Spotify Playlist * - Most likely to change due to being taken directly from gameplay ![]() Second part of the cutscene at the end of Track 12.Ĭutscene at the end of the postgame missions. Second part of the cutscene at the end of Track 7.īefore Track 8, using parts of Security Shutdownįirst part of the cutscene at the end of Track 12. Second cutscene before the escpae sequence of Track 4, using parts of Boss.Īlternate Hideout theme, first played during Chai's dream.įirst part of the cutscene at the end of Track 7. They are numbered differently from the official playlists, which do not follow game appearance order.Ĭutscene after Rekka's Boss Fight, using parts of Boss.Ĭutscene before the escape sequence of Track 4. Unofficial Track List Note: The game contains alternate songs that replace the licensed ones if the in-game setting Streamer Mode is turned on. ![]()
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